Thursday, March 24, 2011

Pre Patched Pokemon Soul Silver Rom

A romance for deliveries. End of An announcement regarding today


The mystery is cleared and a pastor is preparing to return to the stage. It is clear from the lines appearing in the press, will be a bitter return, in tears, but the "shame and manly dignity" Gallito not allow another exit. Pastora
available land to put through and the bullfighter, his pride wounded male Iberian tries to prevent his wife walked back tables.
briefly, the da Globo news that no reconciliation. Then, the press devotes its good pages.
has been suspended at the request of the parties, the cause of divorce was between Cock and Pastora Imperio.
comeback, reconciliation seems like nothing.
Globe, January 11, 1912

In Romea, the gypsy gentilísima Pastora Imperio, heroine of a novel, not to be lived, Mérimée and Bizet could compose into line, back to the glories that left the marriage, and in them with palms and was received, which brings about intense pain her beauty that unfolds in couplets, which is each a sob.
comedies and comedians , February 1, 1912.

DIALOGUES TRIVIAL
... PROMETHEUS
Ramon. - Why is Manon happy with the joy of five o'cloc tea?
Avecilla. - Manon feel the joy of art.
Manon. - Because I'm going to Seville.
Borrás. - and us with it, you can not go to Seville without a partner.
Andalusia is sad for the single traveler.
Avecilla. - is true, Andalusia is tragic as a farmhand hungry with heatstroke.
Bagaria. - What can not be is going to Andalusia without money ...
Armenta. - iCatalán!
Bejarano. - Yes, because if money is no risk of returning to the couple ...
Avecilla. - No Andalusian women rather than on the tambourine.
Ramon. - Some wonderful artist should claim the tambourine, painting a Pastora Imperio it.
Manon. - La Pastora is sad ...
Ramon. - This is your song:
"I have myself a pity, pity ..."
Bagaria. - certainly do not trust the Andalusian, because there are many sevillanas ...
Prometheus, February 1, 1912.

; Again Pastora and "Cock"
The Empire again tables and want to prevent the "Gail". The Empire goes to America with his mother and his brother.
The marital discord between the matador cock and former dancer Pastora Imperio now float on the surface again today.
speak very strongly, and almost no talk of anything else Pastora Seville that is about to enter the profession abandoned when married.
seems to be a fact that three days ago Pastora signed a contract with the Company of the Imperial Hall.
And not merely the signing of the contract, but took a flood on loan amount.
He promised to debut in that room one day, not yet identified, in the last decade of the month of March.
person I spoke with the intimacy of the Empire, which I have referred the following:
"In the days following the separation of marriage Pastora not even thought of returning to act as dancer.
the end, it made her think of diversions Gallo.
Perhaps the first goal fell to announce its reappearance on the scene, without taking the ad to assault, for the sole purpose of seeking a specific effect on the morale of her husband, ie " give jealousy "as they say here in graphic expression.
The announcement did not achieve success. The deviations from Gallo continued as before.
A recent development has moved to Shepherd to take a conclusive decision.
He died three days ago the father of the Empire.
believed that this sad event would serve to release tensions.
also wrong from medium to medium and Pastora experienced the largest of the indignities to see that neither Cock and the latter's family took the trouble to give their condolences for the misfortune that had just suffered.
was then in a fit of indignation, made a solemn vow to return to the scene.
The first step was sending then make the new and very luxurious costumes proposed look at the theater.
And he has done more: begin rehearsals of couplets and dances with proposed widening the old repertoire.
The former contains the the "Come and see" who have made very popular and Paquita La Goya Escribano. Arrivals
things at this point, re-enters the scene Gallo.
Gallito, despite all the deviations shown so far to his wife, has not consented to the proposed re-tread the boards.
To find out what means can fend made a visit to his lawyer, and refer those who are well aware that the consultation was longer.
determination Cock not pray alone with the theaters and showrooms in Seville, but extends to all of Spain.
In conversations with close friends, the sword has said he fears a lot around the theater Pastora Imperio. Samples
extremely worried since I knew that it is firm determination.
He also said he hoped Gallo Pastora claimed payment of food and was willing to accede without need for the law force him.
But as Pastora Imperio did not present the divorce had been announced, it came down to the simple separation of people.
Pastora is generally believed that Empire did not debut in Seville, and almost the same is true of the rest of Spain.
But do not doubt that with his mother and his brother, launched shortly to America, where he devoted himself to acting in the theater.
you already have an advantageous proposition to the Company of a theater in Buenos Aires.
also has other Lisbon, where Pastora enviable lineup reached its heyday of vaudeville artist.
With what does not count, as shown, is with the steps he has to do Cock to prevent the realization of their plans.
Hopefully the next chapter of this that lived more than a page, is becoming a serial novel.
LIPS.
The Correspondence of Spain , February 2, 1912.
Finally, the story is told by the protagonists in a double interview that signing the duende of the Collegiate. Is accompanied by two photographs, which do not include in their low quality.
"THE ELF OF THE COLLEGIATE" IN SEVILLA
Talking to Empire and the "Gallo " Sleeping
! - The home of Pastor .- The Empire, mourning .- Pastora's passion. - The Empire has withdrawn the divorce petition. - Pastora says that the "Gallo" studies before the bull .- Pastora resentments .- The Empire will return to the scene .- She's in love - Viewing the "Gallo" .- Tell me about bullfighting. - The dignity of Rafael .- A sentence of "Gallo" .- "Irreconcilable" - The next season .- The crew of the "Gallo " .- The heads Quad bull .- Trini! - States? Never!
Coachman! A Gallo house!
And the coachman, with a smile of satisfaction, lashed out at the animal, which also seemed to smile, And say in Sevilla Gallo is to pronounce the magic word, something like the Virgen de la Macarena, as Virgen de los Reyes, who yesterday afternoon was taken in procession, as supplication, "something like Maura for Canals. Crossing
Moorish narrow streets and crossroads we come to Santa Ana Street, Number 3, a painted house light blue, modest.
The gate was ajar, I rang the bell, entered the courtyard, also blue, on the walls, or a painting or an ornament, five bulls' heads, dissected, and a picture of a bull that killed Gallo younger brother. In the middle of the courtyard, plants.
One old servant came to meet us.
- Is Rafael? - I asked.
"She's asleep, so do not get up ...- Dose said.
cards and handing Alfonso and me, promised to return.
- Coachman! ... Let's Brokerage! ...
Jumping across mud holes and we Brokerage, 43 and 45, a modern, two-story, red brick, in the basement ... a great tavern could be seen inside through its wide glass doors .
climbed some very steep steps of white marble on the first floor called bronze with a hand clutching a ball, the door opened and a woman, dark and handsome, dressed in black, opened the door.
- Is Pastora? - The question.
He
is rising, "he said.
- Slow?
"No, sir, half an hour. Dimos
our cards and promised to return. It was noon. We went to two or three places to greet some people thought. They were sleeping!
- The 0:30! Coachman! A house of Gallo again! New
cocheril smile and gloat new horses. The blue house, the gate is open, the patio with the heads of bull, and new maid, the less old, who, after hearing us, cries and calls someone and disappears up a ladder from the first floor and a woman, brunette, beautiful, with bright black eyes, says:
-Rafael retired late last night and will not rise to the do ...
We gave thanks, and we promised to return to brokerage.
steep steps, the bronze handle and a maid that happens to a small room where a table and chairs. On the walls a frame with many postcards of Pastora and a sign in the center, which says: "The beautiful Empire ', in another picture postcards of Pastora, fastened with a pin in the shade of the balcony a portrait of Length of the Empire, to coal, with a fancy dress.
Pastora Imperio enters the room, dressed in mourning, her cat eyes, big, big girls, look at us with curiosity.
- How about it, Pastor? Do not you remember me? Does the Japanese? When you started the ?...- said.
"Yes, yes ... I remember ...
I could not remember! ... Well, never mind.
- Are you in mourning?
"Yes, sir, is dead my father for eighteen days.
-I give you my condolences.
"Thank you.
Pause, look at us with uncertainty Pastora, Alfonso looks at me curiously,
Well we're going to Madrid this afternoon, I say it.
- Oh, yeah? ... Well, good trip, I answer the Empire
And I continue:
And we said, 'Let's go visit Pastora and Gallo to tell us what is truth in the rumors that are " .
"Do not do If what you say, "he says Shepherd," is that Seville is a village.
Here everything speaks, everything is said and then, as Rafael and I are so popular! ...
Pastora And silent. I spoke in various shades of various things, and at last I said hastily, in a sonorous voice, a metal ring:
"You see. You have known me in Japanese, I knew that no one ever could say anything, and I brought crazy to Madrid and they all said, 'This is off-limits, .. Do not waste time. "I have known to flirt with everyone, and best of Madrid I was crazy for me, Do you remember? Well, because when I left with Rafael was because I wanted it, because it was the first man that I did ding ... and went with him, ea! After we got married, when Rafael married me, something in me that Rafael would do him decide to make me his wife. The night we got married we went to Slavic and, on leaving, people pressed us and we got into the car without being enterásemos the dress, hat, broke me everything ... When we got home, Rafael said, "Hey, do not return to the theater, because this is a scandal and bothers me!" "Whatever you want" I said ... and ea!, since then I have not know what a fun and go out with him out there ... You see, to Welcome his wife look like, take a walk ... Rafael, no! And I so happy! "I wanted it so? Well! Then I said we were going to live with his family and there were ... Pastora
paused, took a breath and continued:
-In Santa Ana, number three, his family lived, in the five us, but a door linked the two houses .. I, at first, I was happy because as he spends a few seasons in El Pedroso, I instead of being alone rather be with your family ... but do not want you to know! ... I'm used to something else ... well ... a disappointment! ... The sea! ... That was not possible! ... Then Rafael is a rare man he does not speak, do not say anything, one sees that something happens, you have a concern, and he says nothing ... And I've spent a year locked up ... there ...
- Locked ? - the wonder.
"Well ... shut up, shut up, no, but come on, I have not gone anywhere. I was sometimes at El Pedroso to see him and my shawl as a gypsy, because he does not like hats or dresses, or those things, I did not like me! there I have you locked up, and asking the Virgin, the days of run, I take him out with it, because, to see!, my bread is yours, and you will see, what a life of anxiety !
"And you were happy with him"? I asked.
"With him, yes, alone with him would have been very happy, but your family! ... then it is so strange! ... see ... so there was a shadow on the run at night, a female escapes in day ... end! .. I do not know if neurasthenia or what, but you know that I have not had anyone ever say anything qua!, And jealousy, well, see you!, That her jealousy is the same as when it fired his crew because I thought I threw some powder coats to leave the blind to the bulls.
"Well, Pastor, but do you want? "The question. Pastora
thought for a moment.
I do not know ... If we had been alone I would have been very happy with it. I do not understand that guy ... A man like him, who studied before the bulls, because in the square with the cape does what wants, drives the bull to taste what you make it, finally, to study!., and then at home ... I do not understand. So you see, when I learned that my poor father was sick came to him and asked tank at home ...
- What did you found your divorce?
-In irreconcilable differences, "he replied weakly Pastora.
- No, "I said," our laws do not yet support that rationale, of course, but for us it is still illegal,
"Well, I founded in abuse, "he said Pastora.
"And, indeed, does the abuser to you? I asked the Empire.
And Pastora, lowering his head, he replied:
- Yes ...
"However, I told her," I know that you have withdrawn the divorce petition.
"Yes, I have retired.
- Why? ...
"First, because this divorce in Spain, is a nonsense, it costs money, let them carry the curia, and nothing is achieved practical ... I know that Rafael will not doing very well off ... this divorce was going to cost a lot of drives that need ... and also ... As you see, because I know the precarious state of Rafael and knew that the court would send all the places an order, and you just imagine ... a bullfighter bullfighting is sixty sixty thousand dollars, and no! I will not hurt you, I will not do the least harm, no, sir. I told my father and my poor father replied: "If you like, do it." Then, look at you! my father would have hastened the death of these troubles, and yet you see you! all believed that Raphael enter through that door, to death because everything is forgotten, no resentment, no lasting hatreds to a disaster like this, and Rafael did not come. We all thought it would come to the funeral, because they have been many people who did not even know, and Rafael did not come! Look, he gets to come, forget everything, nothing happens, we receive here in clapping.
"But we'll see, Pastor-la said, you're in love with Rafael, right?
"You see, when I withdrew the divorce petition! ... But, no, forgive him who has not come when my father died ... not forgive him ...
- What if he came to see it? "I ventured to ask ...
- not come, Rafael is a man who is not and will not be ...
saw in the eyes large Pastora, look out the tears. Was rebuilt and continued
"A few days while he spent a thousand pesetas in a spree with the famous" Girl of the Combs' I had to pawn ... You know ... With the famous "girl combs »!,..
- And you, what will you do? ... "The question.
"But when I run out of resources have to work. What do I do? I offered many contracts! I have already two to the Imperial Hall, from here, and the Trianon Palace, Madrid, in five hundred pesetas a day! What do I do? I have a family! We need to live!
- Do you want something to Rafael? "I told Pastor, goodbye. I'll see.
- Who! - I replied; not receive you, will not tell you anything. If it harder to get the words! ... And do not let yourself think you portray, you will not get it!
Pastora I left after Alfonso surprised us with the goal of his indiscreet machine and went to lunch at the hotel to go to the two to see Gallo.
At the door, I asked Pastor:
"Well, Pastor ... you will be reconciled? ...
"No ... we are irreconcilable ... No way! ...
- So ... you will go to the scene?
- Yes
Hotel In Madrid, where we lodged by mistake, because we were ill-served, we find the charming Carlos Olmedo, photo correspondent for the Herald, which he offered to accompany home of Gallo.
And off we went. With us came the brother of Gallo, Fernando, and the popular director of the troupe "The old rich."
popular told Olmedo, Antonio del Lunar to say to Rafael that "we were there," and we go to the office, which had been evacuated to avoid water destroyed the furniture,
And
Gallo got out of bed, and not fixed, so they do not we wait, with the neck of American English gorrilla uploaded and travel to the office came to see us.
The popular torero received us very affectionately.
- What? - told us. How's London?
How is the public? ...
-Desiring applaud, "he replied.
"I love you very much to the public that," he replied Gallo.
Rafael Gomez ordered his sword handler to bring a box of cigars, and Antonito el del Lunar proud brought a box of cigars, which he distributed. I felt no smoke to be savored.
With the natural softness broached the subject of the Empire, all I heard were silent and looked at Gallo, Rafael, very serious, he replied, gloomily:
-not talk about that. Tell me about bulls!
torero I could convince the sincerity of my words, and weighing down their sentences, with a bitter tone in his voice do, I was saying
"These are very intimate things. What do I know? Everyone knows what you do at home! Especially ... The first thing a man should be is ... Man! And be ashamed ... and dignity! And the shame and dignity is sacrificed when it is all man!
's brother Rooster, staring at him, listened attentively to his words Antoñito depended on the lunar Rafael's lips, the nice Cadiz of the troupe of 'Old rich "fervently hoped the demonstrations of Gallo, in the faces of the first civilian government official Sevilla Afan de Rivera and Alfonso Olmedo and was portrayed expectation.
"Look," Gallo continued to tell me the - women what happens to the bulls, that when they are twisted once, and there is no one fix ...
A silence followed the words of Raphael, the bullfighter continued saying:
"Just imagine: I was in El Pedroso, and my wife, without my permission, he left home, and as he had not two days, my mother telegraphed: "Come, and I came ... Do you think he did well Pastora going away?
All are silent. The Gallo continued
- What could have my complaint? I had not put his hand over!
"But - interrupted the Gallo- the Empire has filed for divorce based on abuse.
"In something had to establish it," he answered the bullfighter, "I have never laid a hand on, and I also know many women who kill their husbands beatings and even break sticks over their backs, and they do not leave the gate because they want and respect them and do what they say them, but do you think a woman can leave her home, in the absence of her husband, and not appear in two days, just like that? ... He also ... the Rooster paused, then continued bitterly
"Besides, when a woman is twisted once there was none to fix, and I, you know, I have shame and dignity above all , y. .. Can not be! ...
Pause. All are silent. I asked suddenly Gallo:
"But she says that jealousy of you are like your idea of \u200b\u200bthe crew threw powder capes to spoil the bulls ...
There was a moment of astonishment. All depended on the face of the bullfighter. Alfonso turned pale.
The Gallo, very dignified, very gentleman, with an assurance of sincerity dripping with bitterness, he replied:
"Look, these are intimate, some very intimate and very painful. Maybe it has a figurations that ...! Anyway ... let's talk about something else!
Another silence, and I decided to talk of bulls to disprove the effect of memory sad
- Do you as many runs for the next season, "I asked.
's face became animated Gallo, smiling, I shiver all the muscles, as if waking suddenly from a horrible nightmare:
"Yes, sir, one in Alicante, four in Pamplona, \u200b\u200band seven in Valencia, seven in Seville, nine in Madrid, two in Jerez, three in Barcelona, \u200b\u200btwo in Cartagena, two, in Cáceres, two in Cordoba, two, in Almería, and three in Granada - Gallo I replied, beaming .
- And your crew? - I asked.
"Well look at you. I'm going to say. The picks are ... Well! .. Antonio Chaves, the poor thing, he does not know yet if he died or not.
"I think so," he said. I've talked to Borbolla and told me not, and all those rumors about his disappearance is unfounded.
- Poor! As the English boy Salsoso and Felipe. Banderilleros, Fernando Gomez, my brother Blanquet, Manuel Alvarez, postures, and Emilio Rachel, Hearing Child.
"Tell me, Cock I asked, leaving the courtyard: these heads of bull?
familiarly and putting a hand on his shoulder. Cock explained, pointing to the stuffed heads!
"This one killed my brother Joseph in Valencia, the bull was three, my hermaniyo, fourteen. This, as ugly, is a bull Navarro, Carriquirri, I shot in Barcelona and I was very good, is the bravest bull I've ever fought. This is a Miura killed in a bullfight in Madrid that I fought with Manolete and Pazos. Pazos was caught in one hand and I killed four bulls, and in which I was very good. This is the second place went to Madrid after the affair of the Miura, and I fell from above, and this is one of the Widow, who killed in the Machaco Ecija, and the War touched my palm.
, Antonio del Lunar pulled a rich Jerez, who served us in "flat" thoroughbred, and Fernando showed me some books where Trini, the sister of Gallo, has met all programs and reviews the runs where Rafael has fought.
A girl of five or six years came smiling, had black eyes, large and lovely, took refuge between the legs of Gallo, who kissed .
- How cute! Attracting the baby cried. Who is?
"From my brother, Fernando," he said Rafael.
And kissing the angelic creature who put their little hands in mine, like flowers, asked
- What's your name?
And the girl with her little voice told me children:
- Trini! ...
Fernando Gómez led me to a room to show me a picture of his father, the great bullfighter who all loved Spain, I saw in the rooms, modest, crowded furniture for fear of flood water, and returned to the patio, which illuminated a sweet overhead light.
Gallito, very nice, with a charming affability, grabbed my arm and led me into a corner.
- You are a man! "I said with conviction, and knows what these things are. I have great shame and great dignity, and I can not forget ... I can not forget!
"Tell me, I asked Rafael. And if Pastora works ... What are you doing?
Cock I looked surprised.
- How to do I do? For nothing! That work all you want! I do not care! Look, for me, that woman is dead! As if there were! She and I are now strangers. If Spain had a divorce, divorced, and she would marry one who will make her happy and me ... Who knows ... Perhaps, too! I've done as if I had divorced and her ... Would see on the street to another and I would not care. For me it has completely died! Do not you understand that I am a man of shame and dignity, and above all a man should be ... man !?...
"So," I said what do not you join Pastor?
"No, sir, that is, I do not know if I change my mind, I do not know if variaré, men can change, rectify ourselves, if not change my mind, if I still feel like today, this woman and I have gone for ever, does not take much willpower to do this ... At first, the heart, feelings, people, families, friends and all, but believe me I know what I do, I have my reasons, they are intimate things ... one, What do you, I have shame, and that's before everything! ...
The Gallo, very excited, hugged me and said, very low, the ear, with the husky voice, with great bitterness:
"You understand me, you're a man, and knows what these things ... It can not be, .., it can not be! ... And do not be! ...
We said goodbye Gallito, with that radiates personal charm and made him the idol of all public was able to subjugate all, when we parted, an emotional moment crossed our souls, this man suffered and struggled,
maintaining its rights of man with noble dignity of a gentleman.
They all left at the door, the coachman who drove us looked at Gallo with mystical rapture, some people crossing the street stopped to watch his step idol.
And when the car pulled away, the Gallo greeted us with outstretched arm, and Trinidad, with its big eyes black, saw us go and sent us a lovely kiss with her little hand.
And my brain crossed the memory Pastora, dressed in black, her eyes big, cat, green, gray, light ...
The Collegiate Elf
Heraldo de Madrid , February 12, 1912.
remain for the final installment details the expected debut of pastors and their first performances.
(continued)


We bring

Wednesday, March 23, 2011

Does Coke Cause Cankor Sores

Jorge Patacas Kitu






Kitu palimpsest (Drug of Orange, 2009) by Diego Velasco Andrade is a book of poetry that moves us in the first part - Kitwe - an elegiac journey to the ancestral, where natural elements, characters and language form the substance of recognition and belonging from the geographical and cultural space. Here, in this assessment, the lyric voice is assumed to be chronicler

Quitumbe


Lay left in the Age of Drought
to dwell in the green flashes


a stone dropped from there as lightning

Quitumbe the powerful to overcome the high cone of the mountain

where
was frozen in the light of the constellations.

Driven
blazing sunshine on the hills
metal Quitumbe
mountain spotted a smooth plain near the clouds

KI-TO:

holy land middle
deposited there
of the Great Spirit Esmeralda

the mysterious Kingdom of the Hummingbirds.

antilírico The Quito (name of the second part, as significant and transgressive) is where the best known Velasco appears and expands. The lyric voice gives us a less glamorous version Quito: conquest, submission, rebellion, and fuck, fuck very intricate verses from the corrosive and worked from a mood that delves beyond the laughter, and that leads us to question the official story:

half QUITO LUZ DE AMERICA Madrugada
Quito manuela home

thousand eight hundred new
the heroes plan our dependence


Juan Pio
Montúfar Marquis
cheerful jungle does not say a peep until it goes wobbly
a
table and loudly proclaims: THE UNDERSIGNED


SOLANDER MARQUES DE MARQUES DE SELVA

FLORIDA
MARQUES DE SAN JOSÉ
MARQUES DE SELVA ALEGRE

ORELLANA VILLA MARQUES DE MARQUES DE MIRA


BISHOP FLORES MANUELA CUEROY
CAICEDO
CAÑIZARES AND OTHER PATRIOTS IN THIS PART OF THE POEM

DECLARE THAT SO SICK OF PAPERWORK WITH CROWN

HAVE SHAPED OUR RESOLVED

SOVEREIGN BOARD NOW THAT GOVERN THE BELOVED

AUDICIENCIA
CONCERN TO THE
mob threats and because GO! NO NOS

SHAPED CAKE WITH HALF

given in Quito early on August 10, 1809
HIC! Cesa

proclamation and soon proposes
The glorious army
arribafirmante Ahoramismo go to spend the count
Manuel Urries of so profitable ministry ...

TUM!
TUM!

Who is it?
"The old Agnes?

QUITO Sovereign's board
required Castilla Meal Count
tereques
and pick up your back with your music to matrópoli ... HIP!

and
explodes when the first cry of independence
?

In this poem just explodes

the first cry of Bishop Cuero y Caicedo
Manuelita's bedroom.

This unofficial document, emerged from the darkness of mood is uncommitted with regard ruling on their way, plays a role of scapegoat: be the culprit, who will head blown off by offender, but also to become full stop, unless the dispute issue (for some) and too issue (for many) what poetry can and does.

Finally in Quito Heritage, third and last part of the poetry book, civility above all, the city, its quirks and secrets are the main actors voices total:

PENALTY instantaneously

On Sunday
anywhere cage to yield good fidelity even

tamugo
absorbed or legs of a lady in red.

of these faces uncovered
on Sunday
nobody knows more than the "combo" that calls out
potatoes with chili
from one corner of the old house. The guards


sharpen the vest to any dislocated prison

and run payroll: Kleber

detonated his apiary on the tortured

the "Pikas" paid with a check up
the efforts of his shyster
"ñato Freddy"
tropics risked his aces in a sharp street


"crazy curvy" the black cook
prostituted their backsides
with capo Block A ...

who assigned this building collect
virtue
breathing so cramped?


must return to reveal rigorously
park photographer
these my "snapshots." Diego Velasco

Andrade (Quito, 1958) has succeeded beyond this successful work in the lyric Ecuadorian guide many of today's poetic voices and narratives of the country, has assumed the role courage and commitment to lead writing workshops and this for a writer (without self-interest by hindering all) is sufficient grounds for appropriate recognition.

What Is A Bursitis Pocket



blog today an announcement of invitation to look back and get some certainty about the birth of the almighty Bulería. You are all invited.

Monday, March 21, 2011

Seashell Bathroom Rugs

palimpsest: "I always had interest in discovering bands and stay informed" Black Tears



Ise R is a digital magazine positioned, not only for its successful opening and promotion of Uruguayan bands, if not for the internationalization and inclusion of metal clusters within the global icons.
journalistic work displayed in his five years of existence endorse this magazine as a model to emulate, because not only is simple information gathering, but it exists and persists due to form conjugation between informing readers that thanks to the support of the middle are thousands.
Jorge Patacas is the editor and mastermind of Rise, a reporter found metalheads useful knowledge and his love of reading fanzines and magazines, so from his native Uruguay we contact to learn more about this important zine which has already exceeded its twenty number. Rise

has become one of the means of global recognition and representative of Uruguay, thanks to digital media and journalism metalhead when appropriate and to determine the needs created this media?
RISE! born in mid 2005, at a time when the dissemination of gender in the different media of the country was very poor. Arises from the need to keep the public informed about everything that happens in it has to do with metal nationally and internationally, through reports, interviews, reviews records, reviews of shows and more. In the beginning the idea was that each subscribe to the mailing list to receive information by e-mail attachment, because in that moment RISE! did not have a website where you host the content. Later this concept was changing. Based on hours and hours of dedication, I started to make more contacts around the world with bands, record labels, concert promoters and press agents, so you were getting as many interviews, and at the same time began to increase shows the number of local bands, and gradually also visited by international bands began to be higher, so it became necessary to have a better presentation, better format, beginning with the improved design, and adding a cover and to give greater digital magazine concept. It also created a website where anyone from anywhere in the world not just download all the issues, but stay informed with the latest updates on concert dates, new releases and other developments that happen in the time between an edit and another. From the beginning, the mentality was always grow, evolve, bet more, give one's best for that to happen, as this is possible of course, and unfortunately neither I nor the rest of the staff live on this, but we have other activities.



Jorge Patacas with Johan Hegg from Amon Amarth


metalhead Being a journalist is not a question of proposing it is also constant training and what is working your background in journalism and what do you think is the contribution of your e-zine?
many years ago, when I first started listening to rock and then more specifically metal, not just listen to the records I loved the bands I liked, but always had an interest to learn more about them, read their biography, interviews, meet their discography, videography and all kinds of related information. He could spend hours reading music magazines, read them from beginning to end, even if there were items of bands that did not know, read them, I reported on them and then listen. I always had this interest in discovering bands and stay informed about everything that was emerging. Even before all that, as a child playing make radio programs, perhaps it could explain that as a teenager, when I read all these magazines, I thought "What good would one day have a media own. " But at that moment I saw him far, did not feel sufficiently trained to carry out, and the internet was not what it is today, there was "exploited" still part of the world, so did not think the idea of digital media, but traditional.

years later things changed, I felt more able to start the project after several years of listening, investigating and reporting on hundreds of bands, albums, etc., And also internet was already part of everyday life people, so I felt it was the right time to finally have a media and digital out. The

idea that emerged is a digital medium for various reasons, one of them was that while there were already several metal magazines dedicated to digital around the world, here in Uruguay had not yet been explored in the same way this mode. The contribution of RISE! is that it enables anyone to both Uruguay and all over the world can access information completely free of charge and get the latest news. Local audiences may also check the bulletin board shows the site to see what local bands will be performing live or what we will be visiting international bands. I also think it brings to local bands, because in this way can spread and expand both locally and internationally. Rise

has digital as a great ally just how necessary it is to access and play a metalhead digital journalism today?
In the era we are living, where the Internet plays an important role, it is essential that there is digital media to keep people updated. For example, confirms a date for a show, and is published in the bulletin, so perhaps a person enters that section of the site in the morning and then enter at night and there is already a new date. Same with any significant developments to emerge, allowing the possibility of publishing the news instantly. This method grew even more with the arrival of social networks and the popularity they have taken. RISE! also has its sites on different social networks and provide even more information instantly.




Jorge Patacas with Schmier from Destruction


Many fanzines, zines and magazines (and this beyond the labels that have) have fallen into error simply to inform and not to form what are your thoughts on this?
A publication should fulfill both roles, because on one side are those readers who are really tucked into the scene, who know and want to learn about the last thing you are doing your favorite bands, but those readers may find a band that did not know and learn about its history through an article. It is also likely that among the readers there are those who just need to know the gender and other known data. Our idea is to look at both cases, make a balance between informing and shaping.

Being behind a medium of communication, especially when held in the underground line, profit does not how you hold your magazine and what purposes beyond the economic sphere are in it? Clearly
so as you say, even loss-usually when it comes to economics, the only way to arrive to take profits or at least be able to "draw" over the investment, is through advertising, but the lack of number of advertisers has not achieved that yet. It would be nice to contact some more interested in advertising, and would definitely benefit both parties.

What motivates this move forward in any way is first that you feel for this style of music, the meaning in one's life, the fact that in the best and worst moments of life , a subject of some band has been there, and to share this information by those who feel the music in the same way, and receive a positive response for the work you do with such dedication is something priceless.

Then there are all the opportunities to engage in this, make many contacts around the world, make a link between gangs and the organizers of shows, to meet and interview some of your favorite bands, to give opportunity for new bands, have access backstage at shows, disseminate and make your "bit" so that the scene remains strong, all unique things that mean so much to each other emotionally.

What the most ideal characteristics, from your perspective, that a journalist must have metalhead?
first knowing what is going to pass, and I say this because anyone may want to write about gender, but if you do not have a consistent knowledge, is likely to pass any incorrect or inaccurate information. This also requires time for research, to learn, to know.

is also important to be able to express, because you can love metal and have a broad knowledge of the genre, but if you have no idea how to pass, it will not be able to move forward half, though one has the best intentions .

Another feature ideal from my point of view is to make the task more professionally as possible, doing everything that is available to one for that to happen, and therefore achieve a better result in the quality of content and the reader response.

Do you think that Latin American metaleras magazines have exploited the full potential of their country music?
Overall I think that each one supports the scene of their country on their way, spreading their bands through interviews or reviews of their albums and concerts, including biographies of the band, spreading their dates, or in some cases even magazine editors organized dates as well. It is very important for local country band that specialized media give them the space they need to be released or attached, either national or international level. Obviously transcend internationally has never been so easy for a Latin American band, but that does not depend exclusively on the work that can make the media, but there are many other actors involved, from the very way to work in the band, their management task, the diffusion through the network, the label that may hire them, and the actual musical quality of the band of course.

Many magazines worldwide metaleras 100% do not explode from the original journalistic genres and follow the same outline how cherish this point?
From my point of view, which follow the same pattern comes from the fact that this scheme or formula that have worked in major magazines worldwide. If we move for a moment to what is strictly musical, today happens to many bands limit themselves to imitate the formula of the band that influenced them, but there are others who take influence from a band or a certain style, and you stick your personal touch, creating a particular style from there. The same is true of magazines, some in the style of the most successful magazines at the foot of the letter, but others combine it with a touch of originality. Either way I think the main difference between the journals is the focus of each, some with a more serious, other, more informal, there is everything in that direction, and very good material in each cases.

In our case, I think originality comes from the side of some sections such as "Dark Genesis" which is a section where the strips themselves reveal the origin of its name, its meaning or the situation in which were at when choosing a name, while the more traditional scheme is represented in the interviews and reviews of albums and shows, I think are basic sections in any magazine and what people usually look at them.

How important is the socialization of journalists with producers, bands and organizers of concerts?
A: It is extremely important and essential to keep in touch with producers, bands, concert organizers and everyone involved in the scene, as only in this way the media can better carry out their task to make known to the readers the information they need. A news agency, management, record label or in some cases the gang members themselves, are sending their latest innovations to be disseminated. To an interview is to be in contact with them too. A record label may send their latest releases to the environment and make reviews and buzz around a record. Event organizers also send your dates and means of spreading, then goes to cover the event. Is constant contact.

One of the major problems for tens of metalheads media is the lack of continuity editing how often Rise?
That is something that unfortunately also affects RISE!, Because as I said earlier, none of which live in the magazine wrote that, all study or work too, and in some cases do both activities, which is sometimes very complicated the issue of time, simply by the fact that the holidays were over 24 hours.

As you know, our publications are formatted in PDF magazine with the cover and all content. All this is hard work and the theme of the times to which I referred to earlier, makes for a new edition in this format every four or five months, although in some cases has been delayed a bit more. But to offset these delays, we have the web site in which besides being hosted editions for download, we compiled all the news emerging in the world of metal, important announcements, dates of shows, and some reviews, so that the website remains current and can be visited at any time, there is always something new.

For now is all George, thanks for your time and proceed with Rise. If you want to add something more to this dialogue forward. Alexis
Thank you for this interview, and your continued interest and support!. And for readers unfamiliar with RISE! Moreover, we invite you to know in www.risemetal.com A big hug to everyone from Uruguay!

Sunday, March 20, 2011

Fuse Panel For A Polaris 425 Magnum 1995

The Czech. The usual routes


After his fourth debut in Rome, the Czech dances at the Meadow Hall Santander, but moves to Madrid to participate in the benefit that the Romea gives the singer Carmen Flores, which makes a joy, accompanied guitar by Luis Molina. What is written in the press Santander, include:
Yesterday a jack as admirably danced so beautifully, with a precision, a lightness and agility so great that drew a spontaneous applause that forced her to repeat it. And after that number other dances, in which repeated the success. Eco Artistic
, June 5, 1918.

then again at the Romea, with new costumes and new numbers. The press, as always, turned to her.
debuted Czech to still practically a child is now a "star" of English dances, and especially of the Andalusians.
Nothing in the dance of the Czech and convoluted postures, or the steps of academia, and reminiscent of any other artist, but there are natural, art, distinction and enthusiasm, and guidance from someone who in all regards English dances is certainly the most documented and competent.
The Czech triumphs resumed yesterday in the theater, being applauded with genuine enthusiasm and strict justice.
Action, February 17, 1919.

The Czech, which can be branded as an eminent dancer pliant talent, because in dances as diverse as Galician, American and Andalusian Font teacher reaches standing ovations, and is also much admired all their new Abaurrea apparel, original, luxurious and appropriate.
Action, February 28, 1919.

ROMEA .- The Czech reappeared on the scene of this aristocratic theater and its appearance has been a definite success for this most remarkable artist.
Dressing of excellent taste, original and appropriate, the teacher opened three dances Font de Anta, "Sabelin" (Galician), "Whisky" (American) and "Sevillanerías" (Andalusia), and those who demonstrated the flexibility of his talent, the audience rewarded him with vociferous cheers. These were repeated by the artistic interpretation given to other dances, and was consecrated Czech prodigious as dancer and first rank.
Fair, February 18, 1919.

The Czech, whose American dance Whisky! have heard from some diplomats, to see, feel transported to Baltimore and other points south of the United States, where blacks held dances. The acclaimed Czech in all issues of its repertoire.
The time, February 22 1919.
(continued)

Friday, March 18, 2011

Cidp Prognosis What Is The Prognosis For Cidp?

"We sing to hatred, grief, anger and false religions"



The Ecuadorian metalheads sure we can continue whenever there are new bands representing our country, this is the case Black Tears, an interesting group of black doom that we knew nothing, but thanks to the direct contact of bassist vocalist we have followed closely.
Dani Mendez has been through we could know more about this band, who, from the United States have not only successfully presented its proposal to the Latino community, but it has carved out a gringo audience, and this wide band and is an indication that we have chosen the right path.

Black Tears "is in the right place at the right time to stay and represent the Ecuador metalhead?
As you Alexis, thank you very much for the interview, well the truth is that the band has had its ups and downs especially when it started, but these changes of members and styles we became stronger and more stable, we are in a country where cultural diversity is varied and it helps us to hear our music to different musical perceptions, this is a good time, people here and support us in our country, that's very gratifying for us, and we are always part of the movement Ecuador metalhead ...






Tell us a little about the lyrical concept of the band, the focus from the doom or black?
concept lyric of the band is not singing to most if not hatred, pain, anger, a false religion in order once something we all feel, all this combined with loud and after dark ... our base is the black and doom but we have many influences of the global metal shed. What

found in the doom-black fusion to assume as genres channeling his work?
For many, the fusion of black and doom results in the dark, the same fusion has helped us to get something that at this point is very difficult: a unique sound, we can channel people in the genre that they see fit.

What doors will opened after the departure of Eternal Darkness demo on me?
Well the demo itself has helped us to let us know in places like Colombia, Mexico, Bolivia, Venezuela, Spain and our country: Ecuador. We had the opportunity to go through Angelica Ponce SENKRADA first metal magazine in English in NY, and thanks to Caprino has given us the opportunity to promote our songs on your radio online the 7 shades of metal, also through your magazine, would be the first interview by a metal zine from Ecuador, but we did an online newspaper in the city of Cuenca.




In Rotten actually feel the heavy influence of substance why is that?
is one of the first songs of Balck Tears, the musicalization would like to remember our beginnings, as almost all once we started doing heavy metal, and mixed with our style sounds a little different.


How do you move the Latino community especially metalera and Ecuador in the U.S.?
The Latin metal community here is top notch, very supportive of their own and attend the concerts and Ecuador is no exception, always supporting, always clear that there is one other son of a bitch who thinks that no band ever America will be overcome, but they cover only fighting the mouths of these idiots.

How has it gone so far as to promote the band, contact with zines, concert organizers, record companies, etc..?
The promotion of the band is well under way, provided we are calling for concerts, as I said the first zine to support us 100 percent has been SENKRADA. Chicago organizers are also interested in our band, Marfuz is the second magazine has shown its support and the first to get us to light in Ecuador. We have no record signing still expect some very soon.




I know that the U.S. metal community (or part thereof) has accepted without prejudice by how advanced the level of the band on earth gringa?
has been a great surprise for us to know that people everywhere support you in this country especially after the first concert we gave in Brooklyn with American bands (being the only Latinos there and singing in English) people began to move the head with us to form a mosh brutal and finally a handshake congratulating play there, since then we call our music, we invite their shows, and all part of establishing good friendships. We are just at the first step with the American metal community but they give us their support and is easier to climb.

What's next for 2011, perhaps the official album, participate in a Split or ep, you may schedule a tour in Ecuador to raise awareness of the potential of the band live?
The idea of \u200b\u200bthe band for this year is our first CD recording, promotion to the maximum, and have given much thought to know more about our music in Ecuador, also in parts of Latin America where they hear our songs and give us your support and good vibes in the distance. Forward

Black Tears and not falter in its creative purpose closure " is to argue any topic you left out?
Many thanks to you and the people who support the band. Value what ours is the only way to move forward without prejudice or distinction, we hope to see you soon. Darkness forever!