MUTATUM
11/29/2008 October 12, 2008 in the laboratory of conceptual art called Las Palmas de Gran Canaria. VENDO PISO
MUTATUM argues that the communication that takes place in what we call art-information, is the receiver that brings the message. The initial message sender operator, which comes with intensity at the receiver, it becomes a receiver-operator that provides a definite message.
MUTATUM initial messages, materialized on posters and placed in the laboratory, causing many message-response final message recipients motivated by the initial idea MUTATUM.
On this occasion, a receiver makes its own original idea and materialized with a marker above the poster art-information, using the existing vehicle.
MUTATUM
This time becomes the final message of a receiver-operator in an initial message, and places it on the street to reach other receivers with intensity.
Endorses this message and considers his work, considers his work and has been conceived as such. Decide you do not even need anything to get plenty of other receivers with intensity (MUTATUM determined as the internal order of this paper).
is the receptor that brings the message, because the initial message provided by the transmitter operator, is always very complex. I remember someone raised, speaking of paint, the information package we call art-painting, in some cases was tantamount to a treaty of quantum mechanics in which no one said a word, nothing concrete to explain it. All you try to explain it was a contribution useless, the table spoke only with their own language and their internal order.
This approach provides not looking, another approach to a definition of art focused on the initial idea, the so-called conceptual art: complex message embodied in a package of art, information, sometimes written, appropriate vehicle (the chosen by the emitter-creator who provides individual internal order) to arrive at an unspecified number of receivers. Some of these receptors
devote time to the message embodied in the eyes of intuition and sensitivity and it is received with the same intensity as the issuer-creator felt his own thinking.
Others simply provide another message to work.
The communication is always complex, both the receiver and transmitter into play elements that prevent full tune, different visual education, training, prejudices, biases, interests, time spent, moral, distribution, encryption, mystery, clarity, etc.
Like chaos theory, different aspects of transmission and reception of information, different lines of communication are unpredictable and are deflected from their path by attractors of the two parties.
Communication in general is always complex but in art-information, this complexity is raised to the twentieth power and has nothing to see the complexity of communicating with the number of elements that shape the work.
sometimes works composed by a small number of elements, provide information very complex and very complicated work formally on information remain empty.
The degree of assimilation of the message recipients, their knowledge and resulting saturation is the key element to analyze the simplicity (Simplon, naive, gullible, etc..). The simplicity of the information is directly proportional to how well the same (Regardless of the simplicity of the birth of one of them, Roses are red, violets are blue, ...). That simplicity determined the arrival intensity to the receiver. There are simple things that are born and does not provide sufficient information, or provide a well-known and assimilated information that can not come with intensity, represents an attractor of the issuer.
The complexity lies with the intent of the issuer, give each work with a new internal order (Art is a game whose only rule is fixed in the imposition of new rules each time you play). In the visual arts
technical virtuosity and representation of reality as a single purpose or continuous repetition, are a clear example of formal complexity and simplicity in the information. From Kandinsky spiritual content, information materializes in a box and new formal contributions, determines its complexity and intensity arrival receivers give you time and intuition (Lack of time and intuition are an attractor of the receiver).
The poster's message receiver is clear: sell an apartment on Thompson Street, 47 (is real). MUTATUM senses that this is not an interpretation of the sign of the genes, a new message with genetic down, thought its author was not fertilized.
The author is a representative of the middle class from 1 World in a pure state, be deemed to have played the game of the rich, to speculate. He bought a house (That may be your 1 st house that has not finished pay, or the 2 nd,?), bought an instrument for living, need for privacy and security of people, for 30, with the intention of selling it at 40 and the system forces him to sell it to 20 or a10.
MUTATUM senses that you no longer want to sell it. Posters around Thompson Street on 13-10-2008 at 16h.
Call postmodern philosophy (postmodern ideology), whose central idea is the dependence of political power, information and culture, economic power (Affirmation accurate, economic power), resulting in the world of art in postmodernity . Where that postmodern philosophy is the ideology of the hijackers of wealth and class first half of the world (The eternal aspiring applicants, applicants ... the neonomenklatura) and its highest artistic expression of postmodernism.
Postmodernism is the art of the appellant, determined to regain everything that came with intensity and saturated the receivers of yore. It is eclectic in its pure state "neutrality" ideological, and the materialization of the thought of the ideologues of the system.
- funny examples of postmodern thought ideological irrationality:
Following the collapse of the Soviet Union demonstrated that capitalism is the only possible system, the only democratic, the only just.
This has always been the case and therefore will continue.
- Sample fun of the irrationality of postmodernity:
always created on demand and that creation was responding to the principles set by the power, should stay that way. PSJM
describes an evolutionary process of the artist's idea:
A - Artist genius. Been overcome.
B - Artist worker. Proudhon quoted, has been overcome.
C - Artist brand. In force: Modernism gave way to postmodernism, the production gives way to the consumer, the company leads to brand. The artist is an artist brand, which relates a new world of myth and genius.
Ultimately, the paths of sociology the artist is at the service of economic power. MUTATUM says
- Lola Flores was an artist and PSJM is very postmodern. A MUTATUM not attracted artists and the word is defined as an emitter-operator within the so-called art-information and play with intensity reached the maximum number of recipients, regardless of sociological ruminations destitute of postmodernity and the prevailing economic power.
- production leads to consumption in the developed world, because this production is transferred to the third world (82% of the population) who produce the wealth that is appropriated by the economic North. Accumulate wealth hijackers with money and dreaming of this middle class now selling flats complicated. Wealth that allows the use of trademarks. Wealth that allows scholarships and grants for the courtesy of postmodernity.
- Artist worker is a craftsman and artist repeats the same formula of success is an academic painter, professional and respect the internal order of the work as the education, training and knowledge-regulated, a salary or payment of a Is the rural work of the utopian dream of S. XIX? Art is intellectual work, ideas that only he directs, experimentation and discovery, the artist in the industrialization of a project does not intervene, he conceives and gives instructions. Marx Jeans, trademark, is neither a sham nor industrial, is a parody involuntary system. Marx pants are numbered and its price is high, not advertise the sale of your pants (How Drill? Industrial Arts?) Actually goes to the art world that is paid with public funds. The industrial art must conform to the rules of the industry: The author provides a project and not involved in the production, is iterative, the entire production is the same and different elements do not pass quality control, the price is marked by the production responds demand, is cheap and is not numbered. No question now enters the system, but seriously, is an art more democratic, more PRs would not depend on the art world, depend only acceptance of the receivers.
Context There is no left, right there, the differences are nuances, no one questions the system, which is final, just and free. Democrats and Republicans, the PSOE and PP, two shades of a single party. A postmodern claims to be progressive (PSJM) abolished ideological references, deny even our ideology, ideologies do not exist, only thinking has triumphed, the simplicity has triumphed. The final and perfect system swallows the rebels ideologies and imperfect, the art world engulfs all the oddities that challenge and can be marketed.
The original principle of logic that governs us says
What is, is.
What is not is not.
The principle of magical thinking of postmodernism says
What seems to be, is.
What does not seem to be, is not.
For postmodernism and postmodernity information is misinformation. With simple messages (Simplon) attractors are created to divert adequate information which demonstrate the system. The way training, specialized, and productive formal college education can not overcome previous docility and productivity, lack of time to assimilate incoming information is an attractor of the receivers. The abundance of unimportant information is an attractor the issuer.
The U.S. financial crisis and real estate in Spain, to bring out the system, and traditional information attractors disappear. Dictatorial and fascist drifts generated by the crisis of capitalism is a latent danger MUTATUM feasible and would recall that these drifts eliminated, including the possible postmodernism. Fear generated by these aberrations, not become another attractor of in training.
MUTATUM want to remember that:
82% of the world's population lives in the Northern Economic privileged. Chavez's idea of \u200b\u200bforming a common market in South America could be a first step to prevent global exploitation.
The real value of companies is 5-10% of their stock prices.
Capitalism is smoke, the art world and the values \u200b\u200bthat are awarded steam.
governing economic power to political power, information and rules governing the culture (Postmodernism ideological.)
The political power rules the world of art.
